
Artist
James McNeill Whistler
1834–1903
Works (9)
Nocturne: Blue and Gold – Old Battersea Bridge
1872
Symphony in White, No. 3
1866
The Princess from the Land of Porcelain
1863
Symphony in White, No. 2: The Little White Girl
1864
Symphony in White, No. 1: The White Girl
1860
Whistler's Mother
1871
Two Sketches of Old Man with Books (from Sketchbook)
1854
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)
1854–55
Thames Warehouses
1859
Timeline
Spending his childhood in St. Petersburg, Russia, he enrolled in the Imperial Academy of Arts at age eleven, where traditional training laid the foundation for his international sensibility.1
His brother-in-law Francis Haden, a physician and artist, encouraged Whistler's early interest in art by providing him with watercolors and introducing him to art collectors.1
While working as a draftsman for the U.S. Coast Survey, he learned etching techniques that later proved invaluable to his career as a world-renowned printmaker.1
After being dismissed from West Point for failing chemistry, he famously remarked, "If silicon were a gas, I would have been a general." This failure led him to pursue art seriously.1
After leaving for Paris in 1855 to study art, Whistler never returned to the United States, instead establishing himself as a prominent figure in the European art world, primarily in London.1
His 1871 masterpiece, "Arrangement in Grey and Black No. 1," is a portrait of his mother. While revered as a symbol of motherhood, Whistler viewed it primarily as an exercise in tonal composition.1