Henry Fuseli

Born in Zurich as the son of a painter, he was originally educated for the church. However, he was forced to flee Switzerland after exposing a corrupt magistrate and eventually moved to England via Germany.¹

A major turning point occurred when Sir Joshua Reynolds recognized his talent in London. Following Reynolds' advice, Fuseli decided to devote himself entirely to art, transitioning from a career in writing.¹

During an eight-year stay in Rome starting in 1770, he studied Michelangelo and antique sculpture. He changed his name to the Italian-sounding 'Fuseli' and established his unique, dramatic style.¹

His 1782 masterpiece 'The Nightmare' shocked the art world by depicting supernatural horror and sexuality. He was passionate about expressing inner nightmares and fantasies rather than reproducing reality.¹

There is a scandalous anecdote of Mary Wollstonecraft pursuing him determinedly. However, his wife stopped the communication, leading him to later remark, 'I hate clever women. They are only troublesome.'¹

He served as Professor of Painting and Keeper at the Royal Academy, becoming a major figure in British art. He undertook grand series like the 'Milton Gallery,' based on the works of John Milton.¹

He maintained good health until his death at 84 and was buried in St Paul's Cathedral. In his later years, he was praised by sculptor Antonio Canova and elected to the Accademia di San Luca in Rome.¹