

Artist
Rembrandt van Rijn
Dutch, 1606–1669
Works (38)
Portrait of a Boy, in Profile
1641
Young Woman with a Red Necklace
ca. 1645
The Three Trees
1643
Self-Portrait with Saskia
1636
The Star of the Kings: A Night Piece
c. 1651
The Raising of Lazarus: The Larger Plate
c. 1632
The Angel Appearing to the Shepherds
1634
The Shell
1650
The Omval
1645
Landscape with Cottages and a Hay Barn: Oblong
1641
Noah's Ark
c. 1660
Reclining Female Nude
1658
The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length
c. 1631
Christ Before Pilate: Large Plate
1635
Jan Lutma, Goldsmith
1656
The Descent from the Cross: Second Plate
1633
The Monk in the Cornfield
c. 1646
The Phoenix or The Statue Overthrown
1658
The Hundred Guilder Print
c. 1648
Kostverloren Castle in Decay
c. 1652
Seated Female Nude
1660/62
Young Woman at an Open Half-Door
1645
Christ Crucified between the Two Thieves: "The Three Crosses"
1653
Self-Portrait Etching at a Window
1648
Adam and Eve
1638
Old Man with a Gold Chain
1631
Three Oriental Figures (Jacob and Laban?)
1641
Man in a Red Cloak
Flora
ca. 1654
Cottage near the Entrance to a Wood
1644
The Last Supper, after Leonardo da Vinci
1634–35
Satire on Art Criticism
1644
Aristotle with a Bust of Homer
1653
Self-Portrait
1660
Portrait of Gerard de Lairesse
1665–67
Man in a Turban
1632
Herman Doomer (ca. 1595–1650)
1640
Portrait of a Man ("The Auctioneer")
probably ca. 1658–62
Timeline
He studied under history painter Pieter Lastman in Amsterdam for six months. This brief apprenticeship had a decisive influence on his later focus on historical and biblical subjects.2
In 1629, Rembrandt was discovered by the statesman Constantijn Huygens, who procured important commissions from the court of The Hague for him.1
In 1629, he was discovered by statesman Constantijn Huygens, which led to important commissions from the Dutch court, marking a major turning point in his early career.2
Rembrandt created "The Anatomy Lesson of Dr. Nicolaes Tulp" in 1632.1
Rembrandt married Saskia van Uylenburgh in 1634.1
In 1639, he moved to a house in Amsterdam's Jewish quarter. He used his Jewish neighbors as models for Old Testament scenes to achieve greater realism and humanity.2
Rembrandt's son Titus, born in 1641, was the only child to survive into adulthood.1
His late-life partner Hendrickje Stoffels supported him as a model and housekeeper. Though condemned by the church for their relationship, she was a vital source of creative inspiration.2
Due to excessive collecting of art and antiques, he declared insolvency in 1656. Despite losing his home and assets, his passion remained, leading to late masterpieces with bold brushwork.2