Meindert Hobbema

Hobbema spent time in an orphanage before apprenticing with Ruisdael. Their bond was close, evidenced by Ruisdael serving as a witness at Hobbema's wedding in 1668.¹

Hobbema was the only documented pupil of the pre-eminent Dutch landscapist Jacob van Ruisdael. While heavily influenced by his master, he developed a unique style focusing on sunnier and more serene woodland scenes.¹

After marrying and becoming a wine-gauger in 1668, his painting activity decreased significantly. Although he largely set aside his brushes for a stable income, he produced a historical masterpiece in 1689.¹

In the late 17th century, the Dutch art market collapsed following the 'Rampjaar'. Like Vermeer and other contemporaries, Hobbema was affected and died in relative poverty.¹

His 1689 masterpiece 'The Avenue at Middelharnis' differs from his usual woodland scenes, featuring straight lines and strong perspective. It is a unique work realistically depicting a man-made landscape.¹

Hobbema was largely forgotten for nearly a century after his death. His reputation grew from the late 18th century, particularly in England, where he greatly influenced Romantic painters like John Constable.¹