Master IW

Trained in Lucas Cranach the Elder's Wittenberg workshop, he was active in NW Bohemia from 1520-1550, establishing a refined style while inheriting his master's techniques.¹

His early works, modeled on Cranach's prints, feature fragile figures and sharp drapery folds. They show some uncertainty in spatial treatment, often utilizing gilded backgrounds.¹

'The Suicide of Lucretia' (1525) is his earliest signed and dated work. It follows themes frequently handled by the Cranach workshop, similar to his depictions of Salome and Judith.¹

The Želina Altar (1526), commissioned by diplomat Opel of Fictum, is his largest signed work. It centers on the 'Death of the Virgin' and uses prints by Dürer and Cranach as compositional bases.¹

After 1538, he established his own workshop with assistants. He began receiving commissions from wealthy burghers as well as aristocrats, producing many small Marian devotional paintings.¹

His later style is marked by decorative details like gilded edges on robes and architectural elements. His brushwork became more fluid, showing technical perfection and refined chiaroscuro.¹

'The Murder of St. Wenceslas' (1543) was likely created for the cathedral's post-fire restoration and Emperor Ferdinand I's visit, featuring heraldry that reflects the political context.¹