Johann Zoffany

Born in Germany in 1733, Zoffany studied in Rome under Agostino Masucci before moving to London in 1760. He initially worked for a clockmaker painting decorative designs before rising to prominence as a royal painter.¹

Enjoying the patronage of King George III and Queen Charlotte, Zoffany became popular for his informal 'conversation pieces' of the royal family, which were highly regarded for their charming intimacy.¹

A founding member of the Royal Academy of Arts in 1768, Zoffany established his reputation through theatrical portraits, notably of the famous actor David Garrick in various stage roles.¹

His work, such as 'The Tribuna of the Uffizi,' is characterized by extreme fidelity and cluttered compositions, featuring numerous recognizable artworks and figures within a single, meticulously detailed scene.¹

In 1776, Empress Maria Theresa created him a baron of the Holy Roman Empire. This title reflects his international status as an artist recognized by royalty across both Britain and continental Europe.¹

Zoffany frequently included musical instruments like the violoncello in his conversation pieces, depicting musical families and professionals like Giacomo Cervetto to symbolize the cultural life of the era.¹

Collaborating with print publisher Robert Sayer, Zoffany had his paintings engraved and sold as prints. This business strategy secured his international reputation and contributed to his financial success.¹

Zoffany spent 1783–1789 in India painting portraits and colonial scenes. His 'Colonel Mordaunt's Cock Fight' is a vibrant illustration of early colonial India and serves as a significant historical record.¹

After a shipwreck off the Andaman Islands, Zoffany survived by participating in a lottery where the loser was eaten. He is described as the only Royal Academician to have become a cannibal.¹