Stefan Lochner

Likely from Meersburg, he probably apprenticed in the Low Countries. He was strongly influenced by the innovative techniques of masters like Robert Campin and Jan van Eyck.¹

He established a unique style combining the flowing lines of International Gothic with the realism of the early Northern Renaissance. Known for brilliant colors and textures, he is a key German painter before Dürer.¹

His works often feature fanciful blue-winged angels. His Madonnas were praised by Goethe and Schlegel for their 'sweetness and grace', hailed as the pinnacle of German art.¹

In 1442, he was commissioned by the Cologne council for Emperor Frederick III's visit. During this period, he achieved great success and wealth, purchasing several properties in the city.¹

The 'Dombild Altarpiece' in Cologne Cathedral is his masterpiece. Due to its importance, he was known as the 'Dombild Master' before his historical identity was established.¹

Beyond painting, he held high social status, being elected to the Cologne municipal council in 1447 and 1450, which was rare for an artist at the time.¹

Lochner's style significantly influenced the next generation, with echoes found in works by Rogier van der Weyden and Hans Memling, and many direct copies made in the late 15th century.¹

He is presumed to have died around age 40 during a plague in Cologne in 1451. Records suggest he was in debt at the end, ending his brilliant career tragically.¹

His identity was lost for centuries until rediscovered in the 19th century via Dürer's 1520 diary entry, which mentioned paying to see an altarpiece by 'Maister Steffan'.¹