Domingos Sequeira

After studying in Lisbon, he moved to Rome to study under Antonio Cavallucci. His time in Italy, including becoming an honorary member of the Academy of St Luke in 1794, formed his classical foundation.¹

In 1802, he was appointed first court painter to the Portuguese Royal Court, executing numerous portraits and historical compositions for Prince Regent John VI and other members of the royal family.¹

During a visit to Paris in 1823, he experimented with lithography and etching. This constant search for new means of expression would eventually lead to his innovative late-career style.¹

His 1825 work 'Death of Camões' is considered the first proto-romantic or romantic Portuguese painting, marking a turning point from classical styles to more emotional and dramatic expressions.¹

The 1828 masterpiece 'Adoration of the Magi' stands out for its use of light influenced by Turner. The mystical atmosphere created by the light makes it one of his highest artistic achievements.¹

After seeing a Turner exhibition in Rome in the late 1820s, he was deeply inspired by the depiction of light, which significantly influenced the ethereal lighting in his late masterpieces.¹

Spending his final years in Rome, he served as head of the Portuguese Academy and devoted himself to devotional subjects, leaving behind works of deep spirituality reflecting his personal faith.¹